flat field

besides, it had become clear that watching people watching was arguably more interesting than watching people performing - and it was certainly more interesting than performing, oneself. the possibility of inhabiting a strange margin had opened - and it was time to jump in. the event was made for being photographed -or- the event was made for making photographs, but there was the clear intention to divide active performance and active and passive spectatorships - and along expected lines. by turning ourselves into active spectators and by turning passive spectators into active performers, we force a reorganization of expected and accepted social divisions.